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      <image:caption>Venezuela`s Catherine Cortez competes with the Clubs at rhythmic gymnastics final event at Central American and Caribbean Games San Salvador, November 26,2002. Cortez won the bronze medal. </image:caption>
      
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      <image:title>GUATEMALA/</image:title>
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      <image:title>GUATEMALA/</image:title>
      <image:caption>A protester jumps in the air after demonstrators set fire to the Mayor's office in Palin, Guatemala September 11, 2007. Residents, angry over what they say is evidence of voter fraud, took to the streets after clashing with police the previous day.    REUTERS/Daniel LeClair (GUATEMALA)</image:caption>
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      <image:caption>Carrying shotguns and machettes, a citizen security patrol walks the streets of 'Barcenas' September 5, 2007 in Guatemala City. Masked vigilantes patrolling their neighborhood killed a suspected gang member on Sunday in a shootout with automatic weapons, the latest in Guatemala's increasingly chaotic crime wave that has made security the top issue in the upcoming November 4 run-off elections. TO GO WITH GUATEMALA-ELECTION. Picture taken September 5.  REUTERS/Daniel LeClair/Files   (GUATEMALA)</image:caption>
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      <image:caption>Eight-year-old Roland Durban patches up a tire in Mario's Punture Repair in Colonia Primavera, a sprawling slum inhabited by poor rural migrants on the southern edge of Guatemala City June 28, 2003. Thousands of Primavera's residents work stitching clothes for U.S. retailers in a cluster of export-processing plants or &quot;maquilas&quot; that have sprung up around the shantytown. Thousands of Guatemalan children work full-time to support their families. REUTERS/Daniel LeClair</image:caption>
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      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785324256_17_GtmWarRefugeesTarmac_thumb.JPG</image:loc>
      <image:title>GUATEMALA/BOLIVIA</image:title>
      <image:caption>Guatemalan war refugees cross the tarmac after landing in Santa Elena, Guatemala April 1, 2007. Over 150 people returned home Sunday after more than two decades living in poverty and exile thousands of miles away in Bolivia. They are the last group of thousands displaced during the bloodiest years of 36-year civil war to come back to Guatemala. REUTERS/Daniel LeClair(GUATEMALA)</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/c5e983ce-dcd8-4238-81c4-65bee6c80cd1</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785322722_16_MexVoteChiapasCast_thumb.JPG</image:loc>
      <image:title>MEXICO ELECTION</image:title>
      <image:caption>A voter casts his ballot in the small town of Navenchauc, Mexico August 20, 2006. Mexico's poor, largely Maya Indian state of Chiapas voted on Sunday in a tense governor's race that could add volatility to a national political crisis following a disputed presidential election.   REUTERS/Daniel LeClair (MEXICO)</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/96066f4c-793d-432d-983e-9bfb8b1f3aa7</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785321819_28_HndProtest03_thumb.jpg</image:loc>
      <image:title>HONDURAS PROTEST</image:title>
      <image:caption>A soldier retreats as thousands of protesters begin to charge police outside the Congress building  August 26, 2003 in Tegucigalpa, Honduras. An estimated 10,000 people from around the country attended the demonstration, protesting a proposed law affecting civil services. REUTERS/Daniel LeClair</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/dd7e434f-9942-4dd3-99fe-61d9fc52a514</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785320880_13_GtmBarcenasPatrolShotgun_thumb.JPG</image:loc>
      <image:title>GUATEMALA/</image:title>
      <image:caption>A member of a citizen security patrol takes aim at an imaginary gang member during a light moment on the streets of 'Barcenas' September 5, 2007 in Guatemala City. Masked vigilantes patrolling their neighborhood killed a suspected gang member on Sunday in a shootout with automatic weapons, the latest in Guatemala's increasingly chaotic crime wave that has made security the top issue in the upcoming November 4 run-off elections. TO GO WITH GUATEMALA-ELECTION. Picture taken September 5.  REUTERS/Daniel LeClair/Files   (GUATEMALA)</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/d26f2275-a4c3-4685-9cd5-35a04a1395df</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785319652_27_HndProtest02_thumb.jpg</image:loc>
      <image:title>HONDURAS PROTEST</image:title>
      <image:caption>Anti-riot police march towards protester through a cloud of tear gas after a protest turned violent outside the Congress building  August 26, 2003 in Tegucigalpa, Honduras. An estimated 10,000 people from around the country attended the demonstration, protesting a proposed law affecting civil services. Protesters threw stones and damages buildings in the capital's business center. REUTERS/Daniel LeClair</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/5ab187bc-5f55-4ae6-9426-88995fe6869e</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785318483_12_HndAngels_thumb.jpg</image:loc>
      
      
      
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/5e3c7ac0-d908-4a84-a613-7898b3d3a795</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785317465_11_HavHurricaneWilmaFaro_thumb.jpg</image:loc>
      
      
      
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/d4b1b254-3a6a-4fed-99be-7fd160a9b29b</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785316670_10_BlzOilTank_thumb.JPG</image:loc>
      <image:title>ENERGY BELIZE</image:title>
      <image:caption>A construction worker puts the finishing touches on a crude oil storage tank March 30, 2006 in Big Creek, Belize. In March Belize Natural Energy Limited announced that their discovery of oil was commercially viable. But some worry Belize's reputation as a pristine tourist haven, home to a barrier reef declared a world heritage site by the UN, could be ruined by further oil exploration. Picture taken March 30. To go with feature ENERGY BELIZE.  REUTERS/Daniel LeClair</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/18555230-8363-4188-951e-5aa2d414c38e</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785315317_08_Sinkhole_thumb.JPG</image:loc>
      <image:title>GUATEMALA/</image:title>
      <image:caption>A giant sinkhole that swallowed several homes is seen in Guatemala City February 23, 2007. At least three people have been confirmed missing, officials said. REUTERS/Daniel LeClair (GUATEMALA)</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/28f0e2eb-a191-40cd-bc40-764eb7a27472</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785314249_07_HndVoteShadows_thumb.JPG</image:loc>
      <image:title>HONDURAS ELECTIONS</image:title>
      <image:caption>Supporters of Liberal Party candidate Manuel 'Mel' Zelaya cast their shadows on a party flag while celebrating Zalaya's lead over National Party candidate Porfirio Lobo November 27, 2005 in Tegucigalpa, Honduras. Hondurans voted for a new president on Sunday choosing between a hardliner who wants to recall the death penalty to curb gang murders and a liberal who would bolster security to stop the terror trail.  REUTERS/Daniel LeClair</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/8ec5b285-1e87-4d04-a125-dca466de57ec</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785313264_03_GtmElectionViolencePalinRunning_thumb.JPG</image:loc>
      <image:title>GUATEMALA/</image:title>
      <image:caption>A protester runs past the Mayor's office after demonstrators set it on fire in Palin, Guatemala September 11, 2007. Residents, angry over what they say is evidence of voter fraud, took to the streets after clashing with police the previous day.    REUTERS/Daniel LeClair (GUATEMALA)</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/f35480dc-0e31-492c-86f2-86d4bd655fde</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785312257_01_HavHurricaneWilmaMalecon_thumb.jpg</image:loc>
      
      
      
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/892b2263-950b-46f9-b094-a469e4be60ac</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785311451_26_HndProtest01_thumb.jpg</image:loc>
      <image:title>HONDURAS PROTEST</image:title>
      <image:caption>Soldiers detain a protester after violence broke out at a demonstration outside the Congress building  August 26, 2003 in Tegucigalpa, Honduras. An estimated 10,000 people from around the country attended the demonstration, protesting a proposed law affecting civil services. Protesters threw stones and damages buildings in the capital's business center. REUTERS/Daniel LeClair</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/81800450-6fa5-412c-8651-b9dc6b3e6f0d</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785310523_25_HndFallenBridge_thumb.jpg</image:loc>
      <image:title>HONDURAS-BRIDGE</image:title>
      <image:caption>HON03:HONDURAS-BRIDGE:TEGUCIGALPA,HONDURAS,06MAR00 - The Juan Ramon Molina bridge in downtown Tegucigalpa, Honduras sits collapsed over the Chuloteca River March 6.  The bridge fell March 5 with two passenger buses and two dump trucks.  No one was killed in the incident but there were reports of several injuries. The &quot;Bailey&quot; style bridge Built in March of 1999 by the American Marines, was constructed to replace a concrete one destroyed by Hurricane Mitch in 1998, and was designed to withhold up to 40,000 pounds. Honduran officials estimate there was as much as 56,000 pounds on the 73 meter bridge.  dnl/Photo by Daniel LeClair REUTERS</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/cc03ccc1-8a48-4e62-acf0-6aacaaf818ee</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785309682_05_GtmHurricaneAdrian_thumb.JPG</image:loc>
      <image:title>GUATEMALA HURRICANE</image:title>
      <image:caption>A fisherman casts his net into the ocean May 20, 2005 in Puerto San Jose, Guatemala. Hurricane Adrian, the first of the 2005 season, lost strength as it hit Central America early on Friday although its heavy rains threatened to cause dangerous flash flooding and mudslides.   REUTERS/Daniel LeClair</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/19d98bba-3586-46ce-a725-b57f62594f89</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785308040_09_MexVoteChiapasStar_thumb.JPG</image:loc>
      
      <image:caption>A girl passes graffiti of the EZLN (Zapatista National Liberation Army) in the town of San Cristobal, Chiapas in southern Mexico August 19, 2006. Gubernatorial elections in Chiapas tomorrow are the first to take place after Mexico's July 2, still undecided, presidential race. The Zapatista guerrilla movement, who burst out of the jungle in 1994, have shunned participation in the national elections and continue to live in islolated enclaves in Chiapas.    REUTERS/Daniel LeClair (MEXICO)</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/ef9d2182-8ac5-437f-8cb4-2e8f42f92c16</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785306818_06_HndVoteSombrero_thumb.JPG</image:loc>
      <image:title>HONDURAS ELECTIONS</image:title>
      <image:caption>A man marks his ballot during general elections November 27, 2005 in Catacamas, Honduras. Hondurans vote for a new president on Sunday choosing between a hardliner who wants to recall the death penalty to curb gang murders and a liberal who would bolster security to stop the terror trail.  REUTERS/Daniel LeClair</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/589a42c9-0442-4a20-bb69-8c9c1b353dd4</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785305907_04_GtmMarketFire_thumb.JPG</image:loc>
      
      <image:caption>A shop owner reacts as a fire rips through a local market November 20, 2006 in Guatemala City. Fifteen people died after one of Guatemala City's largest central market's caught fire Monday, suffocating people trapped inside the labyrinthine building of basic grain and vegetable stalls. REUTERS/Daniel LeClair   (GUATEMALA)</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/06a81f41-bf8b-4ffb-8dcd-4cf7b1508c10</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785304666_15_MexVoteHuicholes_thumb.JPG</image:loc>
      <image:title>MEXICO ELECTION HUICHOL</image:title>
      <image:caption>A Huichol indian carries campaign posters in Pueblo Nuevo, in the central state of Zacatecas, Mexico June 22, 2006. Picture taken June 22. To go with feature MEXICO ELECTION HUICHOL.  REUTERS/Daniel LeClair (MEXICO)</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/2fc00e43-4c4b-4a8f-bdff-abb8412f4400</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785303743_20_GtmMayaBall_thumb.jpg</image:loc>
      
      <image:caption>A player uses his knee during an Maya ball exhibition game at Maya ruins May 31, 2005 outside Chimaltenango, Guatemala. The anciant Maya sport, abolished by the Spanish conquerors, was a religious rite for the Mayans, played for 5,000 years on the ball courts found in archeological ruins dotting Mesoamerica. Photo by Daniel LeClair</image:caption>
      
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/4a116a0e-7e99-48ca-b3bb-a24396ba7664</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785302833_22_GtmMarketFireAftermath_thumb.JPG</image:loc>
      
      <image:caption>A Firefighter takes a breather after battling a fire that raged through a local market November 20, 2006 in Guatemala City. Fifteen people died after one of Guatemala City's largest central market's caught fire Monday, suffocating people trapped inside the labyrinthine building of basic grain and vegetable stalls. REUTERS/Daniel LeClair   (GUATEMALA)</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/79447c56-6b87-435f-a078-3b31fc232514</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785301220_38_GtmGold_thumb.jpg</image:loc>
      
      
      
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/7edc241c-b2ed-4c81-ab2e-78f552cc1a41</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785299708_02_GtmFountainKids_thumb.JPG</image:loc>
      <image:title>GUATEMALA/</image:title>
      <image:caption>Children play near the fountain at the Parque Central in Guatemala City October 1, 2007 in Guatemala City. Today Guatemalans celebrated national Children's Day.   REUTERS/Daniel LeClair (GUATEMALA)</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/0a18a843-1c32-48a9-84e2-735f0e944d17</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785298865_30_HndGoldMine_thumb.jpg</image:loc>
      <image:title>HONDURAS GOLD</image:title>
      <image:caption>A Honduran miner uses a wheel barrow to remove ore from a hand-dug mine February 14, 2003 in El Corpus, Honduras. The mine, used by the spanish over 200 years ago, still produces gold using pickaxes and manual labor. With the price of gold at a 6-year high of $355 per ounce, local and foriegn companies alike join in the gold rush.(TO GO WITH BC HONDURAS GOLD. PHOTO TAKEN FEBRUARY 14) REUTERS/Daniel LeClair</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/67c66201-4752-41aa-a333-2b7f67771977</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785297944_24_HndCross_thumb.jpg</image:loc>
      <image:title>HONDURAS HOLY FRIDAY</image:title>
      <image:caption>A catholic faithful falls from the cross during a procession celebrating Good Friday, April 18, 2003 in San Francisco, Honduras. Thousands from around the Central American nation participated in religious acts marking the crucifiction of Christ. REUTERS/Daniel LeClair</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/07659792-3acd-41cf-a2ab-c155dd0c5730</loc>
    <lastmod>2026-08-04</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/541f3cde-7d9f-45b1-b4e1-457945cd5127/1785785296963_29_HndMayaDance_thumb.jpg</image:loc>
      
      
      
    </image:image>
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      <image:caption>A woman brings flowers on Dia de los Muertos (All Souls Day) behind the Mercado Central in San Salvador November 2, 2024.</image:caption>
      
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      <image:caption>Reception for Queen Elizabeth II at the University of Tampa, Tampa, FL on May 20, 1991</image:caption>
      
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      <image:caption>Reception for Queen Elizabeth II at the University of Tampa, Tampa, FL on May 20, 1991</image:caption>
      
    </image:image>
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  <url>
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      <image:caption>Reception for Queen Elizabeth II at the University of Tampa, Tampa, FL on May 20, 1991 where Tampa Mayor Freedman presented her with a crystal palm tree gift.</image:caption>
      
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  <url>
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      <image:caption>Reception for Queen Elizabeth II at the University of Tampa, Tampa, FL on May 20, 1991 where Tampa Mayor Freedman presented her with a crystal palm tree gift.</image:caption>
      
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      <image:caption>Reception for Queen Elizabeth II at the University of Tampa, Tampa, FL on May 20, 1991</image:caption>
      
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      <image:caption>Queen Elizabeth II arrival at the University of Tampa, Tampa, FL on May 20, 1991</image:caption>
      
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      <image:caption>Queen Elizabeth II arrival at the University of Tampa, Tampa, FL on May 20, 1991</image:caption>
      
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      <image:caption>Queen Elizabeth II visited Tampa, Florida, on May 20, 1991, arriving on the royal yacht Britannia to honor General H. Norman Schwarzkopf at MacDill Air Force Base. She then traveled via motorcade to the University of Tampa for a formal reception where Mayor Freedman presented her with a crystal palm tree gift.</image:caption>
      
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      <image:title>060</image:title>
      <image:caption>Abdou Ndong - Gambian fisherman with a rescued crocodile , Makasutu forest, Kombo Central, The Gambia</image:caption>
      
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      <image:title> </image:title>
      <image:caption>J.B. Parks, was a sharecropper who served his country in World War II . This photograph was taken with 3 of his 5 sons. AK, William and Terry. At the family home in Walnut Mississippi.</image:caption>
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      <image:title> </image:title>
      <image:caption>Flowers placed on Emmett Till gravesite at Burr Oak Cemetery in Aslip, Illinois. Emmett Till was an African-American boy who was murdered in Mississippi at the age of 14 after reportedly flirting with a white woman. Till was from Chicago, Illinois, visiting his relatives in Money, Mississippi, in the Mississippi Delta region, when he spoke to 21-year-old Carolyn Bryant, the married proprietor of a small grocery store there. Several nights later, Bryant's husband Roy and his half-brother J. W. Milam arrived at Till's great-uncle's house where they took Till, transported him to a barn, beat him and gouged out one of his eyes, before shooting him through the head and disposing of his body in the Tallahatchie River, weighting it with a 70-pound cotton gin fan tied around his neck with barbed wire. His body was discovered and retrieved from the river three days later.</image:caption>
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      <image:caption>Migratory birds fly over the Midwestern landscape.</image:caption>
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      <image:caption>                               </image:caption>
      
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      <image:title>Roadside Kimchi Pots</image:title>
      <image:caption>1955 roadside scene of a South Korean village near Munsan-an-ni north of Seoul in 1955. Pictured is a yard full of brown ceramic kimchi pots. Kodachrome color 35mm slide. </image:caption>
      
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      <image:title>1955 South Korean Village</image:title>
      <image:caption>A rural village near Munsan-ni South Korea c. 1955</image:caption>
      
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      <image:caption>                               </image:caption>
      
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      <image:caption>A 38th Parallel marker, bearing a Commonwealth crown, indicates a position where the 38th Parallel cuts a main road, probably in the 1st Commonwealth Division area in South Korea. Stone markers were placed at significant points along the 38th Parallel, which were occupied by United Nations forces after the ceasefire.                               </image:caption>
      
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      <image:title>Man in Shirt and Suspenders Holds Saxophone in Studio Portrait</image:title>
      <image:caption>A man with a mustache and an afro hairstyle stands in a studio portrait, holding a saxophone. He wears a light-colored collared shirt, a tie, and suspenders over dark trousers. His left hand holds the bell of the saxophone, which extends diagonally across his body. The man looks directly at the camera with a serious expression. The background is a plain, light-colored studio backdrop. The image is in black and white.</image:caption>
      
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    <lastmod>2026-07-27</lastmod>
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      <image:caption>Last Days of my father, Digital manipulation</image:caption>
      
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  <url>
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      <image:caption>Correta Scott King, 1980, Atlanta</image:caption>
      
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      <image:caption>Mom, 2024, Chicago</image:caption>
      
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  <url>
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      <image:caption>Walking, 2025</image:caption>
      
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      <image:caption>Crystal in Harlem, 2024</image:caption>
      
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      <image:caption>Manu Dibango, 1996, Paris</image:caption>
      
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  <url>
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      <image:title>Hugh Masekela performs, eyes closed, playing trumpet in London</image:title>
      <image:caption>A close-up, black and white portrait shows South African jazz musician Hugh Masekela playing the trumpet in London in 1985. Masekela's face is visible from the forehead to just below the chin, angled slightly to the right, with his eyes closed and brow furrowed in concentration. Sweat beads are visible across his forehead, nose, and cheeks. The trumpet's mouthpiece is pressed against his lips, and part of the instrument's tubing extends to the left. The background is dark and out of focus. The bottom left of the print is inscribed &quot;Hugh Masekela, London, 1985&quot; and the bottom right is signed &quot;F. Webb.&quot;</image:caption>
      
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  <url>
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      <image:caption>Edward Wilkerson, Jewel Turner 1980, Chicago</image:caption>
      
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  <url>
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      <image:caption>Elvin Jones, 1972, Jazz Showcase, Rush St, Chicago</image:caption>
      
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  <url>
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    <priority>0.6</priority>
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      <image:title>image asset</image:title>
      <image:caption>Hutterites cool off in the river</image:caption>
      
    </image:image>
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      <image:title>SPTAug LRH6</image:title>
      
      
    </image:image>
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  <url>
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    <lastmod>2026-07-10</lastmod>
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    <priority>0.6</priority>
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      <image:title>PSFLRH15e</image:title>
      
      
    </image:image>
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      <image:title>PSFLRH15a</image:title>
      
      
    </image:image>
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  <url>
    <loc>https://preserve.artefakt.foundation/archive/bc7337b6-fbed-47a2-a502-529b050d3187</loc>
    <lastmod>2026-07-10</lastmod>
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    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/leah-hennel/along-the-western-front-jhrkq/thumbs/felrh13-e16df546.webp</image:loc>
      <image:title>FELRH13</image:title>
      
      
    </image:image>
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  <url>
    <loc>https://preserve.artefakt.foundation/archive/0d10a002-15d4-4136-95a2-64fc91efa3cb</loc>
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      <image:title>FEFLRH16</image:title>
      
      
    </image:image>
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  <url>
    <loc>https://preserve.artefakt.foundation/archive/e765a8b6-618c-4584-bb30-61ff690e95dc</loc>
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      <image:title>IMG 5367</image:title>
      
      
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      <image:title>Snapseed 16 copy</image:title>
      
      
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  <url>
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    <priority>0.6</priority>
    <image:image>
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      <image:title>IMG 2267 3</image:title>
      
      
    </image:image>
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  <url>
    <loc>https://preserve.artefakt.foundation/archive/f759160e-4899-497f-9426-d7090c7964ab</loc>
    <lastmod>2026-07-10</lastmod>
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    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/leah-hennel/along-the-western-front-jhrkq/thumbs/img-2197-4c31d1e1.webp</image:loc>
      <image:title>IMG 2197</image:title>
      
      
    </image:image>
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    <lastmod>2026-07-10</lastmod>
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    <image:image>
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      <image:title>Hutterite Girls on Fence</image:title>
      
      
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  <url>
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      <image:title>W8A1751 Edit</image:title>
      
      
    </image:image>
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      <image:title>IMG 4690</image:title>
      
      
    </image:image>
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    <lastmod>2026-07-10</lastmod>
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    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/leah-hennel/along-the-western-front-jhrkq/thumbs/hennel-archive11-a34d7305.webp</image:loc>
      <image:title>Hennel archive11</image:title>
      
      
    </image:image>
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    <lastmod>2026-07-10</lastmod>
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    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/leah-hennel/along-the-western-front-jhrkq/thumbs/mpxauglrh1j-a4a7e1ae.webp</image:loc>
      <image:title>MPXAug LRH1j</image:title>
      
      
    </image:image>
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  <url>
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    <lastmod>2026-07-10</lastmod>
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    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/leah-hennel/along-the-western-front-jhrkq/thumbs/leah0421-fa923d63.webp</image:loc>
      <image:title>LEAH0421</image:title>
      
      
    </image:image>
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    <lastmod>2026-07-10</lastmod>
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    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/leah-hennel/along-the-western-front-jhrkq/thumbs/jmc3270-21e3e5ac.webp</image:loc>
      <image:title>JMC3270</image:title>
      
      
    </image:image>
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  <url>
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    <lastmod>2026-07-10</lastmod>
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    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/leah-hennel/covid-19-pandemic-vk99k/thumbs/146-bwa-ae11acf5.webp</image:loc>
      <image:title>BWA</image:title>
      
      
    </image:image>
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    <image:image>
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      <image:title>Selects LRH10A 2</image:title>
      
      
    </image:image>
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  <url>
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      <image:title>JMC3261</image:title>
      
      
    </image:image>
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    <lastmod>2026-07-10</lastmod>
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    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/leah-hennel/along-the-western-front-jhrkq/thumbs/img-3450-2-866a922f.webp</image:loc>
      <image:title>IMG 3450 2</image:title>
      
      
    </image:image>
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      <image:title>LEAH5172 2</image:title>
      
      
    </image:image>
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      <image:title>LEAH4798</image:title>
      
      
    </image:image>
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    <lastmod>2026-07-10</lastmod>
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    <image:image>
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      <image:title>Snapseed 11 copy</image:title>
      
      
    </image:image>
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  <url>
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    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/leah-hennel/along-the-western-front-jhrkq/thumbs/imgl2230bw-9ffe0b1d.webp</image:loc>
      <image:title>IMGL2230bw</image:title>
      
      
    </image:image>
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      <image:title>IMG 2222</image:title>
      
      
    </image:image>
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    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/leah-hennel/along-the-western-front-jhrkq/thumbs/hennel-archive8-02ef2092.webp</image:loc>
      <image:title>Hennel archive8</image:title>
      
      
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    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/leah-hennel/along-the-western-front-jhrkq/thumbs/wos-rodeo-2-680a90d1.webp</image:loc>
      <image:title>WOS rodeo 2</image:title>
      
      
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  <url>
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    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/leah-hennel/along-the-western-front-jhrkq/thumbs/branding-knife-fbf7e53c.webp</image:loc>
      <image:title>branding knife</image:title>
      
      
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  <url>
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      <image:title>behind2</image:title>
      
      
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    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/leah-hennel/along-the-western-front-jhrkq/thumbs/2022-590-5c583223.webp</image:loc>
      <image:title>590</image:title>
      
      
    </image:image>
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  <url>
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    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/leah-hennel/along-the-western-front-jhrkq/thumbs/bailey-ac430745.webp</image:loc>
      <image:title>bailey</image:title>
      
      
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      <image:title>Selects LRH1</image:title>
      
      
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      <image:title>IMG 2347 copy</image:title>
      
      
    </image:image>
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  <url>
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    <image:image>
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      <image:title>web</image:title>
      
      
    </image:image>
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      <image:title>BWA</image:title>
      
      
    </image:image>
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  <url>
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      <image:title>A flash of lightning illuminates cranes gathered in a twilight wetland.</image:title>
      <image:caption>A rumble of thunder and flashes of lightening illuminated a spectacular scene that “National Geographic calls the annual migration of sandhill cranes one of North America’s greatest wildlife phenomena,” according to the Crane Trust.

Every spring 80% of Lesser Sand Hill Cranes and some Greater Sand Hill Cranes fly to the Platte River in greater concentrations than anywhere in the world. Fossil beds in parts of NE contain the remains of prehistoric cranes from 10 million years ago. Sand Hill Cranes feel safe from predators in about 2 inches of Ogallala water.  Grassland birds of the great plains migrate from Siberia and Canada to the southern US and Northern Mexico. Their main migratory path is north-south constrained by the Rocky Mountains in the same way as the aquifer was when the mountains were formed.

Sand Hill Cranes land on Crane Trust property feeding on adjacent farmland's waste corn. Ironically, it is because modern agriculture took away the constrained rivers they need to survive. Annually 560,000 come through on migration in the shape of an hourglass fanning out in the north and the south, but hitting a choke point  in the middle around Kearney NE on the Platte River.

The Crane Trust counted 413,000 Sandhill Cranes on this evening-more than they’ve ever counted before, so this image is what it must have looked like millions of years ago. Conservation groups tirelessly work to keep 20 miles of the Platte River a perfect habitat for the 560,000 cranes that fly through. 

Sandhill Cranes are millions of years old and evolved during the Pleistocene. One of the biggest migration corridors in the world hinges on a core of volunteers and the money they raise to dredge the rivers back to the place they were millions of years ago. So this photo addresses cranes habitat.</image:caption>
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      <image:title>Mitra Samavaki Exposure 2024</image:title>
      
      
    </image:image>
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      <image:title>Mitra Samavaki Exposure 2024</image:title>
      
      
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    <lastmod>2026-07-08</lastmod>
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      <image:title>Mitra Samavaki Exposure 2024</image:title>
      
      
    </image:image>
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  <url>
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    <lastmod>2026-07-08</lastmod>
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      <image:title>DSC05328 Enhanced NR copy 2</image:title>
      
      
    </image:image>
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  <url>
    <loc>https://preserve.artefakt.foundation/archive/b02ad082-b3ba-4f0d-a30a-01c5aa5fd8dd</loc>
    <lastmod>2026-07-08</lastmod>
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      <image:title>Mitra Samavaki Exposure 2024</image:title>
      
      
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/3a4970a2-90f3-4d34-9f25-5d7381f2184a</loc>
    <lastmod>2026-07-08</lastmod>
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      <image:title>Mitra Samavaki Exposure 2024</image:title>
      
      
    </image:image>
  </url>
  <url>
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    <lastmod>2026-07-08</lastmod>
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      <image:title>Mitra Samavaki Exposure 2024</image:title>
      
      
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/7d6e7d12-ec51-4b5f-bd31-733604d9978b</loc>
    <lastmod>2026-07-08</lastmod>
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      <image:title>Mitra Samavaki Exposure 2024</image:title>
      
      
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/392bfcae-1eb7-4011-b32d-1f5a0ba0ad11</loc>
    <lastmod>2026-07-08</lastmod>
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      <image:title>IMG 7298 Enhanced NR New copy 2</image:title>
      
      
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/8777228b-b80f-4321-92fb-4e0eac72ccc4</loc>
    <lastmod>2026-07-08</lastmod>
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      <image:title>IMG 6267 2 copy 2</image:title>
      
      
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/d62ad372-48f7-4242-a8fa-517cf5177fa1</loc>
    <lastmod>2026-07-08</lastmod>
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      <image:title>IMG 3102 copy 2</image:title>
      
      
    </image:image>
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  <url>
    <loc>https://preserve.artefakt.foundation/archive/2b4c7805-0f78-4121-bc86-775c945ab3c6</loc>
    <lastmod>2026-07-08</lastmod>
    <changefreq>monthly</changefreq>
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      <image:title>IMG 2673 Enhanced NR copy 2</image:title>
      
      
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/b136ffa2-1f33-4fe5-bd32-75679ba1951e</loc>
    <lastmod>2026-07-08</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
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      <image:title>IMG 1753 Enhanced NR copy 2</image:title>
      
      
    </image:image>
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  <url>
    <loc>https://preserve.artefakt.foundation/archive/bba3d150-9e18-4212-a47d-d11ef61fb48a</loc>
    <lastmod>2026-07-08</lastmod>
    <changefreq>monthly</changefreq>
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      <image:title>IMG 1512 Enhanced NR copy 2</image:title>
      
      
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/ad1d5fdf-b2f8-4fce-bb60-0cf3f3e79162</loc>
    <lastmod>2026-07-08</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/mitra-samavaki/new-gallery-a5voa/thumbs/img-1188-enhanced-nr-copy-2-94b65d2d.webp</image:loc>
      <image:title>IMG 1188 Enhanced NR copy 2</image:title>
      
      
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/42004b91-1f8f-4ce0-bb28-610f204d409b</loc>
    <lastmod>2026-08-05</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/aec46f9c-9f08-427c-b75d-990aef39a735/1782859138743_Plattenkalk_-_12_thumb.jpg</image:loc>
      <image:title>Close-up of Lithography Stone with Stenciled Numbers and Letters</image:title>
      <image:caption>A lithography stone, part of David Christensen's 'Plattenkalk' series, stands vertically against a dark background in 2026. The light-toned stone surface displays stenciled numbers '8', '3', '10', '4', '2' and the letter 'a' (or 'e' rotated). Faint grid lines and scratches are visible across the stone's surface, indicating its use in the lithographic process. The bottom edge of the stone shows wear and minor chipping, resting on a flat, textured surface.</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/dd1dd29d-4ff5-4615-abf5-dd4e9472e824</loc>
    <lastmod>2026-07-09</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/aec46f9c-9f08-427c-b75d-990aef39a735/1782859137368_Plattenkalk_-_11_thumb.jpg</image:loc>
      <image:title>Textured fragment of a lithography stone from the Plattenkalk series</image:title>
      <image:caption>A close-up, black and white studio photograph captures a fragment of a lithography stone from David Christensen's 2026 'Plattenkalk' series. The stone, roughly rectangular with an angled top-left edge, stands upright on a flat surface against a dark background. Its surface is heavily textured with numerous scratches, abrasions, and areas of dark, possibly ink-stained, discoloration, indicating prior use in the lithographic process. The image emphasizes the material qualities and history of the stone.</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/f4b994df-299c-46e7-b65e-1110df9fb574</loc>
    <lastmod>2026-08-05</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/aec46f9c-9f08-427c-b75d-990aef39a735/1782859136228_Plattenkalk_-_10_thumb.jpg</image:loc>
      <image:title>Cracked lithography stone marked with numerical annotation, part of Plattenkalk series.</image:title>
      <image:caption>A cracked lithography stone, part of David Christensen's 'Plattenkalk' series, stands upright against a dark background. A prominent vertical crack runs down the right side of the stone, showing some material loss or separation. Handwritten numbers &quot;+ 0.70&quot; with a downward arrow are visible in the lower left quadrant of the stone. The stone's edges are rounded, and its surface shows minor imperfections and dust. Photographed in 2026.</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/479fe689-2974-4bba-a31d-f6c6af6ff766</loc>
    <lastmod>2026-08-05</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/aec46f9c-9f08-427c-b75d-990aef39a735/1782859135213_Plattenkalk_-_09_thumb.jpg</image:loc>
      <image:title>Textured surface of a lithography stone from the Plattenkalk series</image:title>
      <image:caption>A lithography stone, part of David Christensen's 'Plattenkalk' series, stands upright against a dark background in 2026. The stone's surface displays varied textures, including dark smudges, faint lines, and circular patterns, suggesting previous use or natural markings. The bottom edge of the stone rests on a lighter, textured surface, creating a subtle shadow.</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/75687a10-a505-4fee-a15a-b197c550f41b</loc>
    <lastmod>2026-07-27</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/aec46f9c-9f08-427c-b75d-990aef39a735/1782859133829_Plattenkalk_-_08_thumb.jpg</image:loc>
      <image:title>Lithography stone displays etched images, handwritten notes, and wear.</image:title>
      <image:caption>A lithography stone from David Christensen's 'Plattenkalk' series, photographed in 2026, shows etched imagery and handwritten annotations. The rectangular stone, with a chipped upper left corner, features two distinct horizontal sections of etched designs. The upper section contains a rectangular area with horizontal lines, while the lower section depicts undulating, wave-like patterns. Below the etched designs, handwritten text reads &quot;+ 1.00&quot; with an arrow pointing downwards, indicating a measurement or instruction. The stone exhibits signs of use and wear, consistent with its function in the lithographic process. This image is part of a documentary project focusing on lithography stones.</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/d7d5ab0f-57ca-44e8-8e89-7ceef8c8b942</loc>
    <lastmod>2026-07-12</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/aec46f9c-9f08-427c-b75d-990aef39a735/1782859132447_Plattenkalk_-_07_thumb.jpg</image:loc>
      <image:title>Lithography stone features mirrored text for a 1984 Calgary concert poster.</image:title>
      <image:caption>A lithography stone displays mirrored text for a concert poster, likely from 1984, advertising a &quot;New Music Concert&quot; in Calgary, Canada. The text, which reads in reverse, includes details such as &quot;Calgary New Music Concert,&quot; &quot;To Celebrate Canadian Music Centre,&quot; &quot;Plays The Theatre,&quot; &quot;Sunday, April 1, 1984,&quot; and &quot;Tickets $2.&quot; Additional mirrored text lists composers and performers, including &quot;Rod Little,&quot; &quot;Bell Level,&quot; &quot;Murray,&quot; &quot;Eileen Koom,&quot; &quot;Mark Stewart,&quot; and &quot;Michael.&quot; The stone also features decorative floral and vine motifs. This image is part of David Christensen's 'Plattenkalk' series, created in 2026, which documents lithography stones.</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/845f651c-3ca0-471f-8cdf-d103fd7cfc62</loc>
    <lastmod>2026-07-27</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/aec46f9c-9f08-427c-b75d-990aef39a735/1782859131392_Plattenkalk_-_06_thumb.jpg</image:loc>
      <image:title>Heavily Scratched Lithography Stone Shows Wear and History</image:title>
      <image:caption>A close-up, black and white, vertical studio shot captures a heavily scratched and worn lithography stone, part of David Christensen's 'Plattenkalk' series, in 2026. The stone, likely limestone, exhibits numerous fine scratches, deeper gouges, and some areas of white residue or material transfer across its surface. A significant chip or break is visible along the upper left edge, revealing a layered or fractured interior. The stone stands upright, with its rounded bottom edge resting on a lighter, textured surface, against a dark, undefined background. The image emphasizes the material's texture and the marks of its use.</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/e38223c0-5362-41cf-8994-4d3549286a66</loc>
    <lastmod>2026-07-28</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/aec46f9c-9f08-427c-b75d-990aef39a735/1782859130050_Plattenkalk_-_05_thumb.jpg</image:loc>
      <image:title>Heavily Scratched Lithography Stone Reveals Texture and Wear</image:title>
      <image:caption>A close-up, black and white photograph captures a heavily scratched lithography stone, part of David Christensen's 'Plattenkalk' series from 2026. The stone, with an irregular left edge and a relatively straight top and right edge, stands upright on a textured surface against a dark background. Its surface is densely covered with fine, intersecting scratches, creating a complex pattern of light and shadow, particularly concentrated in the center. The bottom edge of the stone shows some wear and minor chipping, resting on a lighter, subtly textured base. The image emphasizes the material's history of use and its tactile qualities.</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/9ee7bdb0-c60b-43ed-bd14-374b58d54dcb</loc>
    <lastmod>2026-07-08</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/aec46f9c-9f08-427c-b75d-990aef39a735/1782859128770_Plattenkalk_-_04_thumb.jpg</image:loc>
      <image:title>Close-up of Plattenkalk Slab with Numerous Spiral Impressions</image:title>
      <image:caption>A close-up, black and white studio shot captures a rectangular slab of Plattenkalk, a fine-grained limestone, standing upright. The surface of the stone is densely covered with numerous spiral patterns of varying sizes, appearing as lighter forms against a darker background. The texture of the stone is visible, with some rough edges and a slightly irregular top surface. The slab rests on a flat, light-colored surface, with a dark background behind it.</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/7b9e10f4-5a65-47ba-8fd8-722146331527</loc>
    <lastmod>2026-07-27</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/aec46f9c-9f08-427c-b75d-990aef39a735/1782859127442_Plattenkalk_-_03_thumb.jpg</image:loc>
      <image:title>Historic City of Calgary Debenture Document from 1924</image:title>
      <image:caption>A close-up, high-angle view of a Local Improvement Debenture document from the City of Calgary, dated May 14, 1924. The document, likely a lithography stone, displays text detailing financial obligations, including dates like 'First day of January 1924' and 'Second day of June 1944,' and references to 'The City of Calgary' and 'Minister of Municipal Affairs.' Signatures or spaces for signatures for 'Mayor,' 'Clerk,' and 'Chairman' are visible. The document shows signs of age and wear, with visible scratches and chipped edges, particularly at the bottom. This image is part of David Christensen's 'Plattenkalk' series, created in 2026.</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/ca757fbc-845f-4916-80ed-b0874b9fde24</loc>
    <lastmod>2026-08-01</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/aec46f9c-9f08-427c-b75d-990aef39a735/1782859126148_Plattenkalk_-_02_thumb.jpg</image:loc>
      <image:title>Heavily Scratched Surface of a Plattenkalk Specimen</image:title>
      <image:caption>A close-up, black and white, vertical studio shot captures the heavily scratched and damaged surface of what appears to be a Plattenkalk specimen. The rectangular object, possibly a fossil slab, exhibits numerous fine, intersecting white lines indicative of deep scratches across its dark, mottled surface. A small, dark, triangular indentation is visible near the top edge, and the top right corner shows a chipped or broken area. The bottom left corner is rounded, and the object rests on a lighter, textured surface, possibly a table or floor. The background is solid black.</image:caption>
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/7bd95999-f192-4913-b4e9-64618c50e7fe</loc>
    <lastmod>2026-07-08</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/aec46f9c-9f08-427c-b75d-990aef39a735/1782859124302_Plattenkalk_-_01_thumb.jpg</image:loc>
      <image:title>Heavily Scratched Surface Reveals Faint 'Gamers Superior' Imprint</image:title>
      
      <image:license>https://preserve.artefakt.foundation/pricing</image:license>
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/3bc685b5-4478-42d7-a791-86c523ea6440</loc>
    <lastmod>2026-07-28</lastmod>
    <changefreq>monthly</changefreq>
    <priority>0.6</priority>
    <image:image>
      <image:loc>https://pub-3a80aa4c85c8447fb55f30a8ccc81b66.r2.dev/meg-handler/the-heidelberg-project-bjf7g/thumbs/hp-granpa-born-1-copy-dcb098d6.jpg</image:loc>
      <image:title>HP_Granpa born 1 copy</image:title>
      <image:caption>Heidelberg Project, Detroit, 1993.</image:caption>
      
    </image:image>
  </url>
  <url>
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      <image:title>HP_Granpa**</image:title>
      <image:caption>Grandpa Sam Mackey, in front of Main House, Heidelberg Project, Detroit, 1987.</image:caption>
      
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  <url>
    <loc>https://preserve.artefakt.foundation/archive/02510ec9-48a9-46ca-9a9f-20c12004b0d8</loc>
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      <image:title>Granpa portrait</image:title>
      
      
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  <url>
    <loc>https://preserve.artefakt.foundation/archive/319fce06-749e-4ee0-85b0-3d3c6a07676f</loc>
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      <image:title>HP_dog house 3 copy</image:title>
      <image:caption>Heidelberg Street, Detroit, 1987.</image:caption>
      
    </image:image>
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  <url>
    <loc>https://preserve.artefakt.foundation/archive/528c02c0-9c42-402b-a47f-6096ed7820a0</loc>
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      <image:title>HP_Pee Wee</image:title>
      <image:caption>The Heidelberg Project, Detroit, 1987.</image:caption>
      
    </image:image>
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  <url>
    <loc>https://preserve.artefakt.foundation/archive/1297d67a-4a1f-4c0a-8e37-13f303ee692e</loc>
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      <image:title>HP_Ladies Boys</image:title>
      <image:caption>Heidelberg Street, Detroit, 1987.</image:caption>
      
    </image:image>
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  <url>
    <loc>https://preserve.artefakt.foundation/archive/bd98b021-bd89-451b-845c-9c0c4a0ebc0f</loc>
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      <image:title>HP_neighbors 1</image:title>
      <image:caption>Neighbors, Heidelberg Street, Detroit, 1987.</image:caption>
      
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/abd65048-f183-4299-9e01-9f7e2e786e8d</loc>
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      <image:title>HP_Tyree w- boy</image:title>
      <image:caption>Artist Tyree Guyton, Heidelberg Street, Detroit, 1987.</image:caption>
      
    </image:image>
  </url>
  <url>
    <loc>https://preserve.artefakt.foundation/archive/992d50a0-5225-4bb2-8500-1bee33df9212</loc>
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      <image:title>HP_polka dot detail2</image:title>
      <image:caption>Detail, ‘Polka dot House’, The Heidelberg Project, Detroit, 1987.</image:caption>
      
    </image:image>
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  <url>
    <loc>https://preserve.artefakt.foundation/archive/cd8e3543-298d-43dc-80ae-4c7320f033d9</loc>
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      <image:title>HP_Polka dot house full</image:title>
      <image:caption>‘Polka dot House’, The Heidelberg Project, Detroit, 1987.</image:caption>
      
    </image:image>
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  <url>
    <loc>https://preserve.artefakt.foundation/archive/5abc824a-c1f1-4d50-9a4f-328aaeba7862</loc>
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      <image:title>HP_Shoe pile 1</image:title>
      <image:caption>The Heidelberg Project, Detroit, 1987.</image:caption>
      
    </image:image>
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  <url>
    <loc>https://preserve.artefakt.foundation/archive/dd8a5fcb-664d-4db5-962e-80499866d8f0</loc>
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      <image:title>HP_Lost &amp; Found 1</image:title>
      <image:caption>‘OJ House’, The Heidelberg Project, Detroit, 1987.</image:caption>
      
    </image:image>
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  <url>
    <loc>https://preserve.artefakt.foundation/archive/eb01de06-6eee-404c-b3f2-2514a148701c</loc>
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      <image:title>HP_Tyree portrait***</image:title>
      <image:caption>Artist Tyree Guyton in front of “OJ House”, part of the Heidelberg Project , Detroit, 1987.</image:caption>
      
    </image:image>
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  <url>
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      <image:title>HP_wagon</image:title>
      <image:caption>Heidelberg Street, Detroit, 1987.</image:caption>
      
    </image:image>
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  <url>
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      <image:title>HP_girl w- doll</image:title>
      <image:caption>Neighbor at The Heidelberg Project, Detroit, 1987.</image:caption>
      
    </image:image>
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  <url>
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      <image:title>HP_Fountain party</image:title>
      <image:caption>The Heidelberg Project, Detroit, 1987.</image:caption>
      
    </image:image>
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  <url>
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      <image:title>HP_Main house detail</image:title>
      <image:caption>Detail, Main House, The Heidelberg Project, Detroit, 1987.</image:caption>
      
    </image:image>
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  <url>
    <loc>https://preserve.artefakt.foundation/archive/5c1635ed-ce4e-4d72-9d7b-339b55db6834</loc>
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      <image:title>HP_Coat cage</image:title>
      <image:caption>The Heidelberg Project, Artwork by Tyree Guyton, Detroit, 1987.</image:caption>
      
    </image:image>
  </url>
  <url>
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      <image:title>HP_Red Painting</image:title>
      <image:caption>The Heidelberg Project, Artwork by Tyree Guyton, Detroit, 1987.</image:caption>
      
    </image:image>
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      <image:title>HP_Doll house detail1 copy</image:title>
      <image:caption>Detail, ‘The Baby Doll House’,  a few days before it was demolished by Mayor Coleman Young in 1987.</image:caption>
      
    </image:image>
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  <url>
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      <image:title>HP_Red Shoe</image:title>
      <image:caption>The Heidelberg Project, Artwork by Tyree Guyton, Detroit, 1987.</image:caption>
      
    </image:image>
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  <url>
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      <image:title>HP_tourists</image:title>
      <image:caption>The Heidelberg Project, Detroit, 1987.</image:caption>
      
    </image:image>
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      <image:title>HP_Main House**</image:title>
      <image:caption>Main House, The Heidelberg Project, Detroit, 1987.</image:caption>
      
    </image:image>
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  <url>
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      <image:title>HP_Crushed Doll House 1</image:title>
      <image:caption>The remains of ‘The Baby Doll House’, demolished by Mayor Coleman Young in 1987.</image:caption>
      
    </image:image>
  </url>
  <url>
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      <image:title>HP_Granpa1</image:title>
      <image:caption>‘Granpa’ Sam Mackey, in front of the remains of ‘The Baby Doll House’, demolished by Mayor Coleman Young in 1987.</image:caption>
      
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  <url>
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      <image:title>HP_Tyree &amp; Karen Doll House</image:title>
      <image:caption>Tyree and Karen Guyton in front of the remains of ‘The Baby Doll House’, demolished by Mayor Coleman Young in 1987.</image:caption>
      
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      <image:title>HP_Heidelberg open2 copy</image:title>
      <image:caption>The remains of ‘The Baby Doll House’, demolished by Mayor Coleman Young in 1987.</image:caption>
      
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  <url>
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      <image:title>HP_Crushed Doll House2 copy</image:title>
      <image:caption>The remains of ‘The Baby Doll House’, demolished by Mayor Coleman Young in 1987.</image:caption>
      
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      <image:title>HP_Side house</image:title>
      <image:caption>‘The Baby Doll House’,  a few days before it was demolished by Mayor Coleman Young in 1987.</image:caption>
      
    </image:image>
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      <image:title>HP_Doll head</image:title>
      <image:caption>Detail, ‘The Baby Doll House’,  a few days before it was demolished by Mayor Coleman Young in 1987.</image:caption>
      
    </image:image>
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      <image:title>HP_Doll House detail 3</image:title>
      <image:caption>Detail, ‘The Baby Doll House’,  a few days before it was demolished by Mayor Coleman Young in 1987.</image:caption>
      
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      <image:title>WP_JFK tourist2-111</image:title>
      <image:caption>Mourning for John F. Kennedy Jr.</image:caption>
      
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      <image:title>HP_DollHouse_wide</image:title>
      <image:caption>‘The Baby Doll House’,  a few days before it was demolished by Mayor Coleman Young in 1987.</image:caption>
      
    </image:image>
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      <image:caption>The Heidelberg Project is art, energy, and community. It’s an open-air art environment in the heart of Detroit’s East Side. These photographs were made, in 1987.</image:caption>
      
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